Same video as released in 2007, hence the publish date.
(Commentary from July 2012) This was just a ‘modern’ idea I explored once I had the Hspin prototypes in hand. Hspin (Chris and Hadrien) were definitely most enthusiastic about this model.
I was trying to move weight outward and I’m not sure this accomplishes that.
I received prototypes from Hspin a day after the contest started.
They were TINY. It is one thing to guess and check from different yoyos but the combination of 50mm diameter and slimline made it truly seem like a miniature.
The weight distribution made them feel like solid rocks but spin times were less than adequate.
Without a fully thought out response system, they burned through duncan pads in ~10 mins and peeled almost all other pads right off in a matter of throws.
Frank from Difeyo gave me some great, basic advice on weight distribution (which you can see reflected in the future).
Kyle weems also cut a few of them for me in order to get the gap a bit smaller (go go mod workshop).
Mostly, I hid them from the public in shame.
The First Prototypes were made from Walter Six.
A couple mistakes (which now seem obvious):
- Too much weight near the center – because the rims are so damn thick the thing barely spins.
- Without a response system, it eats through pads
- With a full size bearing it doesn’t play responsive at all
What I do have is the desire and vision for a tug responsive yoyo that modernizes some of my favorite yoyos (SB2, BSP) which add to a completely original end product . While I don’t think the demand is high for this type of yo-yo, I do think it is a niche piece of the market that is not currently covered.
The closest yoyo in recent history is the SPYY/Ed Haponik Flying V – which is a great playing yo-yo. Steve sent me one a while back and it is a real charmer. Snappy, fly away fun, regens damn well. It is a highly aggressive yoyo, not unlike walter, but The Flying V has a lot more useable gap than Walter (because it is a pure butterfly, instead a modified/butterfly hybrid) and has sharp corners. So the Flying V will cut you, and Walter will bruise you. Walter will also be a bit more pocket friendly (due to shape/size differences).
Words from Nov 2011
Mid-2010 was the first time that I saw a CAD drawing that I was okay with aesthetically. I had arrived at a yoyo, finally, that reflected the simplicity of aesthetic and general shape I was going for.
Walter was still imagined at this stage at a 50mm diameter and ~26mm width. Tiny!
I was also quite obsessed with parabolas. Pretty, but is it functional?
The superimposition is a render of the yoyos face. He was quite portly at this stage : 68 grams.
If you are curious about Walter One-Three, so am I.
Words from Nov 2011
Walter is a curmudgeon. An old man with a mustache who can’t help but taint everything with his weathered opinions. He is the type of friend who you ask to proofread your homework, because you know he will hold back nothing in his critique. His retort will lack modesty; he will condemn your rambling prose, because he believes you have potential beyond what you have failed to express. He will make you aware of your own nclumsiness, and it will sting. You may wonder if you could ever meet his expectations, and someday you just might, if you practice. So please, don’t be afraid of Walter because he is honest and frank, he has your best intentions in mind.
The concept of the slimline yo-yo isn’t new or revolutionary. Usually they are sharp, awkward and mediocre. The sort of yo-yo that hampers its ability to do anything well because it is supposed to do it all. The Gator Jam, for example, was a fun, odd little yo-yo that was wholly unpopular. Because if you’re going to do single A, why not play with something that specializes in string tricks? If you’re going to loop, well, you get the point.
But Walter isn’t about excelling or outperforming. It will a be yo-yo that requires no thought. The obvious choice when you aren’t in the mood to make a choice because, hell, it fits in your pocket, it matches your current outfit and it will carry you through your day with the utmost consistency.
Walter’s shape is being stolen from the great Tom Kuhn, whose Silver Bullet is a triumph of aesthetic. Being one of the earliest incarnations of ball bearing and aluminum, the SB2 now seems quite antique. Walter has more useable gap than the strictly ‘modified shape’ Silver Bullet. He has a slight butterfly curve that is soft and round to ensure no sharp edges or discomfort in pocket or play. His profile, a pair of rotund parabolas, is nothing extreme or even innovative. Instead, Walter is a yo-yo to play with because he isn’t special or fancy, merely a reliable companion for those days when you’d prefer to think about your job or your schoolwork or the girl who you’re trying to court. So please, don’t think Walter is an attempt to redefine or reinvent the slimline. His shape is a modern, simple declaration of utility.
Inside we’ve got a lot of work to do. Because I’nd prefer those who decide to pickup Walter not to have to worry about how well he is going to come back or how smoothly he will do triple kwyjibo when you’re trying to recreate Jason Lee’s Lakewood performance for your mother’s sewing circle.
Of course, in an ideal world Walter would be perfect right out of the package, in that magical zone between response and smoothness. Not unlike the twelve to thirteen minutes you get out of a duncan pad when it feels like god has kissed your little plastic yo-yo and you could do any trick and end it with a flyaway.
But as is the nature of physics (damn you physics!), Walter will not be a miracle. Likely, he will punish you for every mistake you make for say, fifteen minutes or so, and then gently convert to the magic zone mentioned formerly, thoroughly smooth, yet unquestionably responsive. And you lazy and/or newbie types can sand it down until it is unresponsive and takes a triple bind to come back. And those of you who don’t want to worry about it should be able to simply play with it day in and day out and have a nice tug response that lasts for a few months before you replenish the source of friction.
Equally important is the ease and simplicity of how you restore Walter to new. I don’t want anyone sticking their fingers together with liquid silicon or ruining their mother’s tablecloth because the god damn squeeze tip has dried up on whatever goo aids his response. So the intent is that Walter be tug return, beyond smooth and his response be easily rejuvenated.
There is little concrete being said at this point because, honestly, it is unknown exactly how these ambitious goals will be accomplished. But the bar is set high because if he is going to be a curmudgeon, he must be consistent and reliably so.
There is a lot of work to be done. The quest for simple usability is one of trial and tribulation. Walter cannot have his flaws disguised by features or gizmos, because he has none. His playability must be thorough and unfaltering, therefore all faults must be found and defeated in the prototyping stages. There is a long road ahead until Walter can be packaged and in the hot little hands of the public, but like Walter, one must be patient and contemplative in their endeavors. So alas, I will leave you with one final, resonating note: if any part of this rambling summary interests you, please don’t hesitate to send me an email to discuss further. I am friendlier than Walter will ever be.
This is the demo reel I graduated from University with. Most of the footages comes from two projects: The Snout and The Fisherman. Both of these films are incomplete and I will continue to update the site with their progress. See the Project bar to hone in on information for either film. As of this reel they are missing soundscapes, color timing, and fine grain editing.
The Snout will likely have another, third and final scene added to it, making it a triptych.
Words from November 2011